Time Pod
It was disorienting, waking up in a cold gel, realizing I’d been sleeping for some period of time I couldn’t recall, sensing that I couldn’t move (or even remember how to move) while I was plugged in to the machine. But eventually, the pod opened up, and the goo oozed out, and there I was, lying mostly naked in a puddle on the floor, and the forms of the people of the future stood around me, looking down, trying to figure out what they’d found.
As it turned out, my pod was the only one that had been found so far. The future people had excavated the cryo facility where I’d been stored, and they’d pushed the button to release me. Thankfully, my pod was a self-contained system that was powered by an extremely efficient mini-reactor, or else I would have perished like everyone else from my time.
The future people were surprised to find me, and I quickly became something of a celebrity in their world. I was surprised at how much like us they were, to some degree; they had arisen out of some sort of apocalyptic dark ages and were just beginning to realize the scientific achievements our civilization had made. They had advanced beyond us in some regards, but seemed to have missed other things we’d found obvious, like air travel. We were, to them, what the ancient Greeks and Romans were to us; a mysterious culture that was largely regarded as being filled with civilized savages. Media, on the other hand, was an advancement they’d made long before they developed a centralized computer network; as a result, media was a much more boring and dull thing than it had ever been in our own culture. These people preferred public theatre, where communities could gather and see their own members performing.
It took me some time to learn the language of these future people; their tongue was long and flowing, with few breaks between words. It was a language that was quite incompatible with our own, and when they had stumbled upon old examples of our media, they had been baffled by it. It was interesting, because their stories were quite different from our own in structure and purpose. The future people did not like realism in their stories; they preferred tales full of twists and turns, delighting the audience with magic without necessarily having a coherent structure or continuity to them. It was like watching dreams unfold on stage.
I was invited to one of these shows about a year after my emergence from the time pod. The director was particularly interested in the mythology of our era, and she thought it would be amusing to have me see her production and offer some critiques on its authenticity. I was more than pleased to do so, and wondered what mythology she might have found.
I knew that it was going to be a difficult show when the pantheon of the gods first appeared. The great and terrible god Coca-Cola had begun a global war with his arch-rival, Pepsi-Cola. This entire scene was presently with no hint of irony and, I suspect, no understanding of what these icons truly meant. A masked man dressed in black represented the terrible wrath of Coca-Cola’s red power; when he pulled out a red sword made of light, I realized that he was supposed to be Darth Vader, though his name had been adapted to simply mean “the Evil One” in the tongue of the future people. His henchman was an evil clown clad in red and yellow, though the future people seemed to have no idea of what a clown truly was. The two fought against a brave cast of animal warriors — characters I eventually identified as various Disney and Looney Toons characters. It was interesting to see human characters such as Superman and mechanical creatures such as the Transformers fighting on the side of Coca-Cola while the characters with more animalistic names, like Batman, Catwoman and Spider-Man were on the side of Pepsi-Cola, all based upon the animals they were named after. (Oddly, Wolverine was on the human side, the animal being long extinct in this future world.)
The whole miserable, wretched affair went on for four hours, taking great liberties with the characters and ultimately resulting in the characters triggering the dark ages. The crowd was triumphant; it had been an amazing stage show, and the story had been to their liking. The director asked me to come up on stage and share my views.
I stood there, not sure what to say as everyone watched in rapt attention. Finally, I said, “As one who lived through the Cola Wars, this production brings a tear to my eye as I remember all I endured.” That was taken as a great compliment, and the audience erupted into a cheer.
I left the stage, and went for a walk. It was terrifying to think that the future people could look back on our time and get so much so wrong. They truly had no understanding of our daily lives, or our intelligence, or our great culture. In their minds, theirs was better, and our time was an unenlightened era. And that thought brought a smile to my face, for how often had our culture looked back on people in previous places and eras and done exactly the same?











